It would be unfair – not to say inaccurate – to call John Ironmonger’s work ‘whimsy’; it is far from that. Perhaps ‘fable’ might be better. Yet there are times when the latter may stray dangerously close to the former, and there was a short period in the middle of The Many Lives of Heloise Starchild when I feared it had done so.
Perhaps this was due to the structure of the book at a certain point, or a kind of inevitability inherent in it where you knew what was coming. Or even the repetition of theme – necessary for the book’s very existence, or course!
Don’t get me wrong, I like Ironmonger’s work (ever since The Whale at the End of the World), and will certainly return to it again. If you haven’t already sone so, you should consider it…