The thing that strikes me the most about Philip Roth's "The Humbling" is how totally inappropriate the title is. Simon Axler, the lead character, isn't humbled - he's crushed. 'Humbling' suggests someone merely cut down to size, made to see the reality of their situation (but gently perhaps); it even hits at the possibility of … Continue reading “The Humbling” →

You probably don't want to read John William's "Nothing but the night" if you are in any way depressed. Or feeling overwhelmed. Or existential. It won't help lift your mood. Nor if you're looking for a happy ending. Williams dangles one before us, tantalisingly suggesting redemption, then in the last 20 pages rips that possibility … Continue reading “Nothing but the night” →

Perhaps the most interesting thing about Richard Ford's "Wildlife" is how little actually happens. It covers a three day period during which.... But I don't want to give it away! The journey (shouldn't there always be a journey?) is for the teenage boy, Joe, and we see the whole thing through his eyes. What's also … Continue reading “Wildlife” →

"The Piano Tuner" is splendid - just like Daniel Mason's "The Winter Soldier". You might argue that it is slightly too drawn-out in the middle, but perhaps that is a textual parallel to the situation in which the central character finds himself. Overall, the writing is - of course - rather fine. The reader is … Continue reading “The Piano Tuner” →