Sarah Perry can write. On the back cover of "After Me Comes The Flood" Sophie Hannah is quoted as saying "If she doesn't win the Booker Prize one day, I'll be amazed". I'm inclined to agree. There are perhaps some characteristics shared between the protagonists of "After Me" and her other two novels "Melmoth" and … Continue reading “After Me Comes The Flood”
Category: Literature
“Flèche”
I really like Mary Jean Chan's "Flèche" - even though, based on my track record of how I respond to a reasonably large proportion of modern verse, I shouldn't... Why is that? Two main reasons, both normally bête noires. The first is the significant experimentation in form (especially how the pieces appear on the page) … Continue reading “Flèche”
“The Order of the Day”
I confess to being uncertain as to what kind of book Éric Vuillard's "The Order of the Day" actually is... Although I found it on one of Waterstone's fiction tables, it relates events leading up to the Austrian Anschluss of 1938 and thus the foothills of the Second World War, and does so with what … Continue reading “The Order of the Day”
“Before the coffee gets cold”
My occasional penchant for modern Japanese 'magic realism' novels is something of a double-edged sword. Why do I say that? Having read virtually everything Haruki Murakami has read, I find the bar for such novels is set pretty high, so when something like Toshikazu Kawaguchi's "Before the coffee gets cold" comes along, there is perhaps … Continue reading “Before the coffee gets cold”
“The Tradition”
The thing that struck me most about Jericho Brown's "The Tradition" was more generic than specific. As I struggled to get beneath the words, to find some kind of rhythm that appealed to me, a language I could interpret, I realised how much reading poetry - unlike prose, you could argue - is dependant on … Continue reading “The Tradition”
“The Wall”
It's great when you choose to read a book from an author you have never previously encountered and end up wanting more. John Lanchester, whose novel "The Wall" found its way into my possession after a recent expedition to Waterstones, is such writer. Like Sarah Perry, Donna Tartt, John Ironmonger, Sebastian Barry and many recently … Continue reading “The Wall”
“Melmoth”
Although its geographical setting is very different, Sarah Perry's excellent "Melmoth" tackles some themes similar to those in "The Essex Serpent": the semi-isolation of an individual in community; guilt and sin; the threat of the unknown; how people manage - or not - their interaction with something intangible, ephemeral, threatening. The words you might see associated with the … Continue reading “Melmoth”
The Perennial Question: What Next?
It's that time of year again. As seems to have been the case for - what? - the last two or three years now, I arrive into December putting the finishing touches to the final drafts for new books that will see the light of day in February; all that remains is the generation and … Continue reading The Perennial Question: What Next?
“After the Formalities”
Anthony Anaxagorou's "After the Formalities" is a 'difficult' volume of poetry. Difficult in a number of senses: in some of its themes and narratives; in the structure of many of the individual pieces; in some of the language and punctuation. It is also difficult in its variability. There are a small number of exceptional pieces … Continue reading “After the Formalities”
The mood music of editing
When we write fiction - and especially when we are steeped in revision - it would not be unreasonable to assert that our primary goal is to land on the 'right' words, that elusive combination which tells the story we want to tell and does so in the perfect way. Not unreasonable, surely? Indeed. I … Continue reading The mood music of editing
Ian Gouge - Writer 