I can see why Samantha Harvey's "Orbital" won the 2024 Booker Prize: it's a sustained piece of bravura writing. However... ... too soon it started to feel like a travelog, a geography lesson. I stopped caring about whether the spacecraft was orbiting over Kazakstan, Alaska, or Milton Keynes; the places and countries - and the … Continue reading “Orbital”
Category: Reading
“Gliff”
Like so many books these days, Ali Smith's "Gliff" presents an immediate challenge to a reader expecting a traditionally formatted narrative: the text isn't justified. This may be a small thing, but it can throw you at first - that is, until you get used to it. And the way she handles conversation (no quotation … Continue reading “Gliff”
“So Many Ways to Begin”
You simply must read something by Jon McGregor. Full stop. If you like well-written contemporary literary fiction, McGregor's work hits the spot. "So Many Ways to Begin" is typical McGregor: calm, understated, stylish - yet without shirking away from tackling difficult subjects (here the long-term affects of adoption, mental illness/depression, infidelity). And yet he manages … Continue reading “So Many Ways to Begin”
“rock flight”
Not for me, I'm afraid. Hasib Hourani's "rock flight" is a work of protest and politics. I have no issue with that. Indeed, given the state of the world - and some of the so-called 'leaders' in our world (our world, not theirs) - there should perhaps be more. But I do I have an … Continue reading “rock flight”
“Nausea” – and the experience of (and in) reading…
There aren't many belly-laughs in Jean-Paul Sartre's work... I should explain. I had just spent three years studying English Literature at University; three years where I was immersed in ‘the greats’, all the way from Chaucer, through Shakespeare and Milton, up to James Joyce. It was wonderful! But it was regimented — we were told … Continue reading “Nausea” – and the experience of (and in) reading…
“Songbook”
Joshua Idehen's "Songbook" is a difficult collection to categorise - which is perhaps a reflection on the source of the material: mainly musical collaborations / rap. Many of the poems contain QR links to Spotify tracks, and these further demonstrate the variety of the work: from the melodic to what seems to me at least … Continue reading “Songbook”
“The Four Books”
It is difficult to know whether Carlos Rojas' translation of Yan Lianke's The Four Books is as long as it is because of the size of the original text. Or maybe there's a tradition in Chinese literature which embraces repetition. Perhaps it's unavoidable. For my taste however, The Four Books is about 50% longer than … Continue reading “The Four Books”
“Agimat”
There is an awful lot to admire in Romalyn Ante's collection Agimat: some beautiful images, wonderful use of language, effective communication of emotion. She seems to treat all her subjects - even the difficult ones (and there are a few!) - with a kind of even-handed respect. And there is a haunting, lyrical quality about … Continue reading “Agimat”
“Even the Dogs”
I am a big fan of Jon McGregor's work, and even though it may take a little while to adapt to the style of Even the Dogs, the effort in doing so is rewarded. Even the Dogs offers a bleak insight into the world of drug addiction and poverty. McGregor pulls no punches here, yet … Continue reading “Even the Dogs”
“Signs, Music”
When unsure about a volume of poetry, I have now adopted the process of putting it aside for a while (1 or 2 months) and then go back to it. This is paying dividends, and Raymond Antrobus's Signs, Music is a case in point. Second time through I really liked it. The collection is full … Continue reading “Signs, Music”
Ian Gouge - Writer 