A small confession. I had no real idea what was going on in Tamaz Chiladze's "The Brueghel Moon" - though I suspect this says more about me than the book! It was the first time (to the best of my knowledge) that I've read any Georgian fiction, and whether my confusion had anything to do … Continue reading “The Brueghel Moon”
Category: Reading
“The Black Snow”
The language in Paul Lynch's "The Black Snow" possesses a kind of sustained lyricism which blends the poetic, the archaic, and the rural vocabulary of old Ireland. If you're not au fait with the language, occasionally you can get lost in it (in the sense of not being quite sure what is being said) and … Continue reading “The Black Snow”
“Ham on Rye”
I have just read Charles Bukowski's Ham on Rye in double-quick time. It's urgent, powerful, raw - and like Henry Chinaski himself, doesn't pull any punches. It's a book which also peels back layers on society, on belonging (and not belonging), on the treadmill of vacuous routine. Pointlessness is never very far away, and romance … Continue reading “Ham on Rye”
“The City and its Uncertain Walls”
Having read just about everything he's written, it's fair to say that I'm a huge fan of Haruki Murakami. On that basis, I started reading "The City and its Uncertain Walls" with a degree of relish. However, whilst in many respects "City" is typical Murakami, there are a couple of things that bother me about … Continue reading “The City and its Uncertain Walls”
“An Arbitrary Light Bulb”
There is a challenge in reading poetry which is intrinsically personal to the poet. Often, in order to get the most from a piece, you need to know the people concerned or the places described or the events which happened. Without this, striving for interpretation can feel a little like reading with one metaphorical hand … Continue reading “An Arbitrary Light Bulb”
“Constructing a Witch”
One of the many dangers in putting together a largely single-themed collection of poetry is that the poet may find themselves working with a restricted suite of words - this in addition to running the risk of 'sameness' or good poems/lines simply getting 'lost'. Painters do something similar of course (think Rothko or Picasso's 'periods'), … Continue reading “Constructing a Witch”
“Held”
Given Anne Michaels is also a poet, it is unsurprising to find there is something lyrical and musical about her prose. "Held" is filled with splendidly musical writing. Indeed, many of her phrases and sentences would not be out of place in a poem. This characteristic is undoubtedly one of the reasons I found "Held" … Continue reading “Held”
“Orbital”
I can see why Samantha Harvey's "Orbital" won the 2024 Booker Prize: it's a sustained piece of bravura writing. However... ... too soon it started to feel like a travelog, a geography lesson. I stopped caring about whether the spacecraft was orbiting over Kazakstan, Alaska, or Milton Keynes; the places and countries - and the … Continue reading “Orbital”
“Gliff”
Like so many books these days, Ali Smith's "Gliff" presents an immediate challenge to a reader expecting a traditionally formatted narrative: the text isn't justified. This may be a small thing, but it can throw you at first - that is, until you get used to it. And the way she handles conversation (no quotation … Continue reading “Gliff”
“So Many Ways to Begin”
You simply must read something by Jon McGregor. Full stop. If you like well-written contemporary literary fiction, McGregor's work hits the spot. "So Many Ways to Begin" is typical McGregor: calm, understated, stylish - yet without shirking away from tackling difficult subjects (here the long-term affects of adoption, mental illness/depression, infidelity). And yet he manages … Continue reading “So Many Ways to Begin”
Ian Gouge - Writer 