Elsewhere I have observed how - to my palette at least - some books have not aged well in terms of their writing style. In the case of Alain-Fournier's "Le Grand Meaulnes" I find a novel that has not travelled well both in terms of style and plot. Indeed, I was most struck by how … Continue reading “Le Grand Meaulnes”
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“Songdogs”
Having already read three novels by Colum McCann, perhaps one of the best compliments I can pay "Songdogs" is to say that it simply doesn't read like a debut novel. It is inevitable that in many first novels Authors are finding their feet, only growing into themselves and establishing their voice and presence as they … Continue reading “Songdogs”
“Call me Ishmael….”
Like many thousands of other young people in the UK, today my son has received his A-level exam grades and had it confirmed that he is going off to the university of his choice. I am - of course - proud of him. Thinking back to my own time at university, the thing for which … Continue reading “Call me Ishmael….”
Why I love making people…
If you were to ask me what I like best about writing prose then the answer is simple: making people. There is nothing quite like that feeling of giving life to a previously non-existent character, of forming them, building their history, giving them emotions, ambitions, plans. For each and every one of them the potential … Continue reading Why I love making people…
“Drive Your Plow Over the Bones of the Dead”
"By no means a conventional crime story" - according to the blurb on my copy of Olga Tokarczuk's "Drive Your Plow Over the Bones of the Dead". Let's face it, a conventional crime story is the last thing you'd expect to emerge from the slightly surreal worlds of the Nobel Prize winning Tokarczuk. And in … Continue reading “Drive Your Plow Over the Bones of the Dead”
“The Death of Francis Bacon”
If Max Porter's "The Death of Francis Bacon" is intended to represent the ravings of a dying man, then job done. Tick. The danger - from a reader's perspective, however - is that you're not entirely sure exactly what's going on. There is a balance to be struck, of course, a tightrope to be walked, … Continue reading “The Death of Francis Bacon”
Short-term, long-term, short-term; the Shifting Horizons of our lives
There is an immediacy about childhood. We are impatient, fickle; we want today's new thing, an ice cream, to go to the park. And we always want them now. For young children, tomorrow simply doesn't exist. Then things change. School does that to us. It introduces us to "school days", "weekends", "holidays"; eventually it becomes … Continue reading Short-term, long-term, short-term; the Shifting Horizons of our lives
“Summer”
The final instalment of Ali Smith's quartet, "Summer", is lorded on the front cover of my copy as 'a tour de force' - and for once the publishers are not wrong. In many ways "Summer" is an extraordinary achievement: stylistically inventive, politically astute and opinionated, accomplished in the depiction of character and relationships... Yes, it … Continue reading “Summer”
“Redhead by the Side of the Road”
It would be a little disingenuous for me to say that I've no idea why I chose to read Anne Tyler's "Redhead by the Side of the Road". I chose it because the front cover boasted Booker long-listing; the back cover made it sound interesting; and it was on the 'buy-one-get-one-half-price' table at Waterstones. There. … Continue reading “Redhead by the Side of the Road”
“On Earth We’re Briefly Gorgeous”
Ocean Vuong's novel, "On Earth We're Briefly Gorgeous", pulls few punches. The subject matter almost demands it does not: homosexuality, the Vietnam war, being a post-war Vietnamese resident in the US, old age, love and death. Not a cocktail of subjects which lends itself to kid gloves perhaps. And given that cocktail, there could be … Continue reading “On Earth We’re Briefly Gorgeous”
Ian Gouge - Writer 