“The Porpoise”

If you're expecting 'weird' right off the bat because "The Porpoise" is written by Mark Haddon (the legacy, perhaps, of "The Curious Incident...") then the beginning lulls you into something of a false sense of security. Okay, the subject matter is undeniably dark, but the beginning feels like a straightforward narrative. But when the story … Continue reading “The Porpoise”

After the first review: do I like what I’ve written?

Perhaps it's an inevitable question. Having just completed the first stage (on-screen) of a three-cycle review and proofreading activity, the default question I always ask myself - perhaps more subconsciously than not - is do I like what I've written? Reasonably short at c. 140 paperback pages and around 52k words, my next novel represents … Continue reading After the first review: do I like what I’ve written?

“The Beekeeper of Aleppo”

Very good. Quite simply, Christy Lefteri's "The Beekeeper of Aleppo" is one of those books you should read; not just because it is well-written, but because of the subject matter. As an ex-NGO in a Greek refugee camp in Athens, filled with asylum seekers from various nations, Lefteri knows what she's talking about - and … Continue reading “The Beekeeper of Aleppo”

“Split”

If you asked me to find a single phrase to describe Juana Adcock's "Split" I confess I would struggle. 'It depends' seems such a lame response... But it does. It depends, for example, on whether I've just read "The Task of the Translator" or "The Overburden": one I liked, the second I did not. And … Continue reading “Split”

Radio Interview next week!

I am scheduled to be interviewed next week by the internet-based UK radio station, 'Chat and Spin'. They regularly interview writers, musicians, artists and the like, a ten-minute slot which gives you a chance to talk about your work. Looking forward to it - even if it is live and not pre-recorded! The slot is … Continue reading Radio Interview next week!

“Machines Like Me”

I confess to being slightly confused and ambivalent about Ian McEwan's "Machines Like Me". It seemed to vary between being good, and not so; between generating empathy for its characters, and then nothing at all. The only constant perhaps was my distaste for the android / synthetic human, Adam. But perhaps that was the point. … Continue reading “Machines Like Me”

“Dreams”

Okay, it's my own fault. I should have read it at University nearly forty years ago when I was supposed to. But I thought "Hey, more chance of understanding it now". "Dreams" is from the Vintage 'mini' series and contains two of Freud's most famous essays: "On Dreams" (1901) and "Typical Dreams" (from The Interpretation … Continue reading “Dreams”

The result of four months’ work…

On the 19th December I started work on something that - as is often the case - was no more than a vague notion, a few opening sentences. On Monday, just under four months later, I finished the first draft of a new, relatively small novel (c. 52k words, about 150 paperback pages). I have … Continue reading The result of four months’ work…

“Amsterdam”

Normally I would argue that a Booker Prize winning novel (or even finalist) would be a pretty decent yardstick for the oeuvre of an author, a good place to start. But having read "On Chesil Beach" and "Black Dogs", I have to say Ian McEwan's "Amsterdam" is far from that. Indeed, had I read "Amsterdam" … Continue reading “Amsterdam”

“Black Dogs”

Whether some elements of the central post-war event re-told at the end of Ian McEwan's "Black Dogs" have any basis in reality is potentially irrelevant - and if you've read the book, you'll probably have a good idea of the specific element I'm talking about! True or false, it doesn't diminish the power of the … Continue reading “Black Dogs”